Wednesday, July 6, 2011

Britney Spears "Till The World Ends" Song

"Till the World Ends" is an uptempo dance-pop and electropop song, with an electro beat and elements of trance and Eurodance. The song opens with sirens and a "sizzling" bassline. Spears delivers confident and breathy vocals, in lyrics such as "If you want this good shit / Sicker than the remix / Baby let me blow your mind tonight." In the chorus, the song slows down while Spears sings "I can't take it take it take no more / Never felt like felt like this before / Come on get me get me on the floor / DJ what you what you waiting for?". The 4:3 cross-rhythm of the melody continues into a chant-like segment, in which "whoa-oh-oh-oh" is repeated. The bit was compared by Scott Shettler of AOL to the "rapid word repetition" of Kesha. Gerrick Kennedy of the Los Angeles Times stated that like her previous single "Hold It Against Me", "Spears's main intention with her new single seems to be keeping the dance floor pulsating with sweaty bodies". Jason Lipshutz of Billboard said the song recalls past hits by Taio Cruz, Robyn and Enrique Iglesias. Allison Stewart of The Washington Post felt the song was comparable to Iglesias' "Tonight (I'm Lovin' You)" (2010). According to the sheet music published at by Kobalt Music Publishing Inc., "Till the World Ends" is set in the compound meter time signature, with a moderate dance beat infused metronome of 132 beats per minute. It is composed in the key of C minor with Spears' vocals ranging from the low-key of Bb3 to the high-note of C5. Lyrically, the song talks about dancing until the end of the world

Bill Lamb of commented that the song would "sound solid on the radio and bring crowds to the dance floor," but when compared to "Hold It Against Me", it was much more safe and not as innovative. Jed Gottlieb of the Boston Herald gave the song a B+, saying that "pop fans always need a huge hook, catchy chorus and break-it-down-build-it-up bridge. This song’s got all three". Edna Gundersen of USA Today called it "a sleek and impossibly catchy slab", and said that although the song is unmistakable Luke, Spears "holds her own with confident, kittenish vocals." Allison Stewart of The Washington Post stated the track "is Spears's most joyously danceable track in a long time." Sal Cinquemani of Slant Magazine compared to Kesha's "Blow" (2011), saying that the tracks "[are] so similar [...] that I can't decide which one I like more—or if I even like them at all." Popjustice also compared it to "Blow", but said "Till the World Ends" was not as good.

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